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Monday, February 17, 2014

Hypoview: Someone Else's Garden (Dipika Rai)



According to Neruvatarian Tome, 'hypoview' is defined as a preliminary review done on partial or superficial layer of the entire author's work which may or may not vary after a period of time, depending on the depth of the work.


OK, let's get going.

I have picked this book on 6 Dec 2013 during a Big Bad Wolf Book Fair held in Serdang, Selangor. I admit this book is not my cup of tea, or piece of cake. I am a superfan in Sci-fi or Fantasy, but never general fiction. I will get to that BBW frenzy later, I promise.

This book costs me RM8 at that point of purchase, so, it is worth it, compare to any ordinary novel at a price of RM 34.90++.

Thing is, this book caught my attention in two ways. One: The setting in India. Two: Very cultural design. Yes, I do judge a book by its cover!

I have just entered Chapter 2 as we speak and the comment I am going to give is: AWESOME.

You should try to digest this out with a cup of Ceylonese tea. I am serious. Certain books come with a distinct flavour that if you try to tamper with that balance, you find the book awful. This book is nonetheless a great book.

Try reading the part where the mother is delivering a baby in a mustard field without any doctor yet she has to cook for her family on the same evening. The prejudice is clear in this setting and you will find that the title fits it well.

It is said that having a girl in a family is actually taking care of someone else's garden until she is owned by that someone. Thus, much less attention is paid on taking care of the girls. They are impoverished and constantly raped or abused.

No worries, it is a book of tale. It is so clean and clear that you can feel yourself in India just by the first chapter. I remember one sentence which hits me till the ground:

"In Seeta Ram's (the father) eyes, Mamta (the elder daughter) has no right to exist at all, but since she does, she has to prove herself day after day, working harder than the boys, eating nothing that might be noticed, and being silently present. Like the extra baby section in an orange, not missed if it isn't there, but swallowed whole if it is, without releasing any of its flavour into the mouth."

And one more rhyme that makes me want to cry:
"Make a chapatti, bake a chapatti,
Give one to your father, give one to your mother,
One for your sister and one for your brother,
Then what's left? One burned and dry,
Give it to the little girl to make her cry.

Stay tuned for more of Dipika's SEG!

Thursday, February 13, 2014

One Thousand and One Nights (Hanan al-Shaykh)

 
Face it.

Truth #1:
I have never properly read any other versions of One Thousand and One Nights (short as OTON below). I used to think OTON to be splendid and fairy-tale, something like Anderson's fairy tale compendium or something.

I was wrong. Yeah, laugh at me for my naivety. That book has so many wild sexual fantasies simplified into 'acceptable' version.

Truth #2
I saw this book on a shelf, sitting like a duck staring at me with its two O's. The first thing that grabbed me by heart was its cover. The peacock blue Arabian sky with golden Arabic motif archway dotted with golden stars. How luxurious could it get?

Yes, I do have a soft spot for blue books.

Truth #3
When I saw the word 'orgies', 'penis straight up like bayonets' etc, my eyes did not blink for more than 30 seconds. Half-curious about the content and half-disappointed about the sexual words. But as I read on, I found myself (sometimes) looking for more. Typical testosterone level gush, I guess.

Truth #4
I must praise the brilliant twists and turns, loops and crosses of the stories. I never thought Arabic stories can be so... wonderful. Don't forget the first story as it will somehow found its footing in later stories. Cool huh? I praise the intelligence of Shahrazad to keep her neck clean.

Truth #5
I have never told the synopsis or outline of the story since Truth #1.

Truth #6
King Shahrayar vows to bed every virgin each night and slaughters them the next daybreak. Shahrazad volunteers to be his next virgin. She sacrificed her virginity but she tells a story during the night and leave the king in suspense till the next morning, which would prolong her life for another day. And so, she tells the stories, spinning them out slowly, neatly but intricate like a spider web...

Truth #7
Hanan has successfully captured me with the tales and her way of telling. The choice of words and sentence structure strikes me back to Arabian nights of the early centuries.

Truth #8
I really would love 1001 nights of tales rather than 19 of them. I want to read more each night! If I could just read one tale per night, I can read this book for 3 years! I want to know how Shahrazad escapes her own death!

Truth #9
No more truths,

Truth #10
Truth #9 proves to be a lie.


Bought this book on 19th Jan 2014